As a traditionalist, I have always favored medium- to large-film formats for their sharp quality and ability to capture detailed information. Now that technology has refined digital capture capabilities, I find myself equally at home with the digital format and utilize this medium also.

Chromogenic archival Fuji crystal prints (true photographic prints – not giclees produced via inkjet) are mounted on archival MDF board, and then laminated with an acid-free UV-protective finish that is easily maintained. This mounting method eliminates the need for heavy, distractive framing and the fragile, reflective properties of glass – providing a more personal art interaction that seamlessly integrates into any decor. These signed and numbered editions do not exceed 50 so serious fine art collectors are continually presented with fresh work.

In response to growing demand, I have recently established a line of matted giclees in traditional frame sizes that are accessible to cost-conscious collectors. These will be signed and numbered in editions up to 950.

Please note that traditional black and white gelatin silver prints are available on a special-order basis only.